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Source: multicast » Blog Archive » The Facebook “It’s Not Our Fault” Study First, a reality check. How big and dangerous is the phenomenon? PageFair, a startup-based in Dublin, Ireland, comes up with some facts. Here are key elements drawn from a 17-pages PDF document available here.
via The Rise of AdBlock Reveals A Serious Problem in the Advertising Ecosystem | Monday Note. Comcast Wants to Monitor and Convert Pirating Subscribers | TorrentFreak. Comcast Wants to Monitor and Convert Pirating Subscribers | TorrentFreak. In May of this year, ClarityRay reported that the overall rate of ad blocking by users was 9.26% in the U.S. and Europe. The rate ranged from 6.11% for business and finance sites to 15.58% for news sites and 17.79% for tech sites. For some sites, ad blocking reached 50%. Ad blocking is highest in Europe, where Austria is tops with a 22.5% ad blocking rate. The U.S. is slightly below average at 8.72%. With 1% or less are Iran, Guyana, Kuwait, Myanmar and Qatar. The beauty of P2P and BitTorrent is that it’s a distributed system. Indeed, as far as sites are concerned bandwidth between users (and of course content) are both available for free and running in basic mode requires only a few dollars a month on top to pay for a server. Trading in the big gas guzzler for a something a little more frugal should be a survival option. Of course, in many cases this could potentially mean file-sharing backing up in sophistication to 2004, to what may as well be the stone age to many of today’s younger enthusiasts. That said, ask anyone who was around at the time if it was so bad. Yes, at times Suprnova required 30 refreshes until a page actually loaded and yes, initial seeders uploaded at a snail’s pace, but the scene was buzzing and people were having fun. And if it’s not about having fun anymore, something has gone wrong along the way. Maybe a fresh start and a resurgence of some old fashioned non-monetary gain values is what is needed. The money can’t be targeted if there isn’t any. via Bombing BitTorrent and File-Sharing Websites Back to the Stone Age | TorrentFreak.The beauty of P2P and BitTorrent is that it’s a distributed system. Indeed, as far as sites are concerned bandwidth between users (and of course content) are both available for free and running in basic mode requires only a few dollars a month on top to pay for a server. Trading in the big gas guzzler for a something a little more frugal should be a survival option. Of course, in many cases this could potentially mean file-sharing backing up in sophistication to 2004, to what may as well be the stone age to many of today’s younger enthusiasts. That said, ask anyone who was around at the time if it was so bad. Yes, at times Suprnova required 30 refreshes until a page actually loaded and yes, initial seeders uploaded at a snail’s pace, but the scene was buzzing and people were having fun. And if it’s not about having fun anymore, something has gone wrong along the way. Maybe a fresh start and a resurgence of some old fashioned non-monetary gain values is what is needed. The money can’t be targeted if there isn’t any. via Bombing BitTorrent and File-Sharing Websites Back to the Stone Age | TorrentFreak. Buffett is concentrating on small and medium papers in defensible markets, while steering clear of metro markets, where costs are high and competition is fierce. But he says he has no transformational ideas in mind. “I do not have any secret sauce,” Buffett told the New York Times. “There are still 1,400 daily papers in the United States. The nice thing about it is that somebody can think about the best answer and we can copy him. Two or three years from now, you’ll see a much better-defined pattern of operations online and in print by papers.” via Reflections of a Newsosaur: What’s next for newspapers?.Buffett is concentrating on small and medium papers in defensible markets, while steering clear of metro markets, where costs are high and competition is fierce. But he says he has no transformational ideas in mind. “I do not have any secret sauce,” Buffett told the New York Times. “There are still 1,400 daily papers in the United States. The nice thing about it is that somebody can think about the best answer and we can copy him. Two or three years from now, you’ll see a much better-defined pattern of operations online and in print by papers.” via Reflections of a Newsosaur: What’s next for newspapers?. Fox sues Dish over ad-blocking feature; Dish fires back – latimes.com. Fox Broadcasting Co. has sued Dish Network, becoming the first television network to fire a legal salvo over the satellite company’s controversial new ad-skipping device called AutoHop. Dish, meanwhile, filed its own lawsuit, which asks a federal judge to declare that AutoHop violates no copyright laws. Dish sued not only Fox, but also CBS, Walt Disney-owned ABC, and Comcast Corp.controlled-NBC. The television industry is grappling with new technologies that threaten to undercut the billions of dollars a year that the networks collect from advertisers to run 30- to 60-second television commercials. That advertising revenue underwrites the high cost of producing television shows. Fox filed its copyright violation and breach-of-contract suit against Dish on Thursday in U.S. District Court in Los Angeles. Dish filed its suit in U.S. District Court in New York. “The suit asks for a declaratory judgment that the AutoHop feature does not infringe any copyrights that could be claimed by the major networks, and that Dish, while providing the AutoHop feature, remains in compliance with its agreements with the networks,” the Englewood, Colo., company said in a statement. While consumers with digital video recorders can fast-forward through commercials of recorded shows, Dish’s AutoHop takes it a step further. The screen goes black when a commercial break appears. A few seconds later, the program returns. The service can’t be used on live programming, such as a sporting event, even after it has been recorded. With more than 14 million subscribers, Dish Network Corp.’s new technology may threaten the networks’ ability to continue to charge premiums for their commercial time. Dish Network’s new feature, launched earlier this month, comes at a particularly awkward time for broadcasters as they are beginning negotiations with advertisers over the sale of their commercial time for the 2012-2013 television season. “We were given no choice but to file suit against one of our largest distributors, Dish Network, because of their surprising move to market a product with the clear goal of violating copyrights and destroying the fundamental underpinnings of the broadcast television ecosystem,” Fox said in a statement. “Their wrongheaded decision requires us to take swift action in order to aggressively defend the future of free, over-the-air television.” Dish, for its part, said the new technology was simply making it easier for consumers to avoid commercials. “Viewers have been skipping commercials since the advent of the remote control; we are giving them a feature they want and that gives them more control.” David Shull, Dish senior vice president of programming, said in a statement. “We don’t believe AutoHop will substantially change established consumer behavior, but we do believe it makes the viewing experience better.” Fox sues Dish over ad-blocking feature; Dish fires back – latimes.com. “While the movie and music industries would have you think that torrents are a threat to their business, thousands of independent artists heartily disagree. Thats why more than 5,000 musicians, actors, writers, filmmakers and artists have signed up to be promoted by The Pirate Bay, the worlds largest torrent site. Earlier this year, following the seizures of many popular file-sharing domains like MegaUpload, The Pirate Bay introduced a new promotion platform for artists called The Promo Bay, which let independent artists reach tens of millions of people by offering favorable advertising spots on the The Pirate Bays homepage. The response to The Pirate Bays promotion platform has been overwhelming: the company announced on Thursday that it has already received more than 5,000 applications, and has managed to be a quality platform for driving significant interest to independent artists.” via Pirate Bay Promotion Attracts Over 5000 Artists – Slashdot.“While the movie and music industries would have you think that torrents are a threat to their business, thousands of independent artists heartily disagree. Thats why more than 5,000 musicians, actors, writers, filmmakers and artists have signed up to be promoted by The Pirate Bay, the worlds largest torrent site. Earlier this year, following the seizures of many popular file-sharing domains like MegaUpload, The Pirate Bay introduced a new promotion platform for artists called The Promo Bay, which let independent artists reach tens of millions of people by offering favorable advertising spots on the The Pirate Bays homepage. The response to The Pirate Bays promotion platform has been overwhelming: the company announced on Thursday that it has already received more than 5,000 applications, and has managed to be a quality platform for driving significant interest to independent artists.” via Pirate Bay Promotion Attracts Over 5000 Artists – Slashdot.
Financial News – Yahoo! Finance
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